The world’s leading DJ and music production learning center co-developed by Jam Master Jay of Run DMC. Scratch DJ Academy has locations in NYC, Miami, LA, Atlanta. Scratching - Wikipedia, the free encyclopedia. The DJ on the right is scratching. Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique used to produce distinctive percussive or rhythmic sounds and sound effects by moving a vinyl record back and forth on a turntable while optionally manipulating the crossfader on a DJ mixer. While scratching is most commonly associated with African- Americanhip hop music, where it emerged in the mid- 1. DJ Studio respects you: . DJStudio is an advanced DJ application suitable for everybody whether you are a novice or a pro.Within hip hop culture, scratching is one of the measures of a DJ's skills. DJs compete in scratching competitions at the DMC World DJ Championship and IDA (International DJ Association, formerly known as ITF (International turntablist Federation). At scratching competitions, DJs can use only scratch- oriented gear (turntables, DJ mixer, digital vinyl systems or vinyl records only). In recorded hip- hop songs, scratched hooks often use portions of other songs. History. Other DJs, like Grandmaster Flash, took the technique to higher levels to the familiar sound and technique we hear today. A rudimentary form of turntable manipulation which is related to scratching was developed in the late 1. DJs (music program hosts) or the radio program producers who did their own technical operation as audio console operators. Welcome to the official SoundCraft home page. Soundcraft is one of the first and leading programs to emulate DJ 'Scratching' of digital sound files as if they.
It was known as back- cueing, and was used to find the very beginning of the start of a song on a vinyl record groove. This was done to permit the operator to back the disc up (rotate the record or the turntable platter itself counter- clockwise) in order to permit the turntable to be switched on, and come up to full speed without ruining the first few bars of music with the . This permitted the announcer to time her or his remarks and start the turntable a scant moment before she or he actually wanted the music on the record to begin. Back cueing was a basic skill that all radio production staff needed to learn, and the dynamics of it were unique to the brand of professional turntable in use at a given radio station. The older, larger and heavier turntables needed a 1. All this was done in order to present a music show on air with the least amount of silence (. The rationale was that any . Radio personnel demanded robust equipment and manufacturers developed special tonearms, stylii, cartridges and lightweight turntables to meet these demands. In the 1. 97. 0s, hip hop musicians and club DJs began to use this specialized turntable equipment to move the record back and forth, creating create percussive sounds and effects. Whereas 1. 94. 0s- 1. DJs had used back- cueing while listening to the sounds through their headphones, without the audience hearing, with scratching, the DJ intentionally lets the audience hear the sounds that are being created by manipulating the record on the turntable, by directing the output from the turntable to a sound reinforcement system so that the audience can hear the sounds. Scratching was developed by early hip hop DJs from New York City such as Grand Wizard Theodore, who described scratching as, . Kool Herc developed break- beat. DJing, where the breaks of funk songs. Burroughs had experimented with the idea of manipulating a reel- to- reel tape manually to make sounds, as with his 1. Scratching is related to . In the 2. 01. 0s, both scratching and scrubbing can be done on digital audio workstations (DAWs) which are equipped for these techniques. Christian Marclay was one of the earliest musicians to scratch outside of hip hop. In the mid- 1. 97. Marclay used gramophone records and turntables as musical instruments to create sound collages. He developed his turntable sounds independently of hip hop DJs. Although he is little- known to mainstream audiences, Marclay has been described as . It was the first commercial recording produced entirely using turntables. In 1. 98. 2, Malcolm Mc. Laren & the World's Famous Supreme Team released a single . This song was also performed live at the 1. Grammy Awards, and in the documentary film Scratch, the performance is cited by many 1. DJs as their first exposure to scratching. The Street Sounds Electro compilation series which started in 1. Basic techniques. At the same time as the record is being moved back and forth, the DJ typically manipulates the crossfader of a DJ mixer. This creates a distinctive sound that has come to be one of the most recognizable features of hip- hop music. Some DJ software such as Traktor Scratch Pro or Serato Scratch Live support only the audio interface sold with their software, requiring multiple interfaces for one computer to run multiple programs. Some digital vinyl systems software include: Non- vinyl scratching. DJs can scratch, beatmatch, and perform other turntablist operations that cannot be done with a conventional keyboard and mouse. DJ software performing computer scratch operations are include Traktor Pro, Mixxx, Serato Scratch Live & Itch, Virtual DJ, M- Audio Torq, DJay, Deckadance, Cross. DJs have also used magnetic tape, such as cassette or reel to reel to both mix and scratch. Tape DJing is rare but Ruthless Ramsey (youtube link) in the US, Scratchavite in Italy and Mr Tape (youtube link) in Latvia use exclusively tape formats to perform. Sounds that are frequently scratched include but are not limited to drum beats, horn stabs, spoken word samples, and vocals/lyrics from other songs. Any sound recorded to vinyl can be used, and CD players providing a turntable- like interface allow DJs to scratch not only material that was never released on vinyl, but also field recordings and samples from television and movies that have been burned to CD- R. Some DJs and anonymous collectors release 1. The most recognizable samples used for scratching are the . This terminology is not unique; the following discussion, however, is consistent with the terminology used by DJ QBert on his Do It Yourself Scratching DVD. Sophisticated techniques. If the record is let go instead of being pushed forward it is also called . Cutting out the forward part of the record movement instead of the backward part gives a . This allows creating sounds similar to . The term can also refer to a simpler, slower version of the chirp. Scribble scratch - The scribble scratch is by rapidly pushing the record back and forth. The crossfader is not used. Chirp scratch - The chirp scratch involves closing the crossfader just after playing the start of a sound, stopping the record at the same point, then pushing it back while opening the fader to create a . When performed using a recording of drums, it can create the illusion of doubled scratching speed, due to the attack created by cutting in the crossfader on the backward movement. Hydrophonic scratch - A baby scratch with a . This rubbing of the thumb adds a vibrating effect or reverberation to forward movements on the turntable. Transformer scratch - with the crossfader closed, the record is moved with the scratching hand while periodically . This produces a staggering sound which can make a single . The flare allows a DJ to scratch continuously with less hand fatigue than would result from the transformer. The flare can be combined with the crab for an extremely rapid continuous series of scratches. Crab scratch - Consists of moving the record while quickly tapping the crossfader open with each finger of the crossfader hand. In this way, DJs are able to perform transforms or flares much faster than they could by manipulating the crossfader with the whole hand. It produces a fading/increasing transforming sound. Twiddle scratch - A crab scratch using only the index and middle fingers. Orbit scratch - Describes any scratch,most commonly flares, that are repeated during the forward and backward movement of the record. The record platter is set in motion manually, then . This scratch form is best performed with long, sustained sounds. Euro scratch - A variation of the . It can also be performed by using only the up fader and the phono line switch to cut the sound. Scratching culture. The Invisibl Skratch Piklz from San Francisco focuses on scratching. In 1. 99. 4, the group was formed by DJs Q- Bert, Disk & Shortkut and later Mix Master Mike. In July 2. 00. 0, San Francisco. In 2. 00. 1, Thud Rumble became an independent company that works with DJ artists to produce and distribute scratch records. Pedestrian is a UK arts organisation that runs Urban Music Mentors workshops led by DJs. At these workshops, teach youth how to create beats, use turntables to create mixes, act as an MC at events, and perform club sets. Scratching has been incorporated into a number of other musical genres, including pop, rock, jazz, some subgenres of heavy metal and some contemporary and avant- garde classical music performances. For recording use, samplers are often used instead of physically scratching a vinyl record. Guitarist Tom Morello, known for his work with Rage Against the Machine and Audioslave, has performed guitar solos that imitate scratching. Perhaps the best- known example is . It has also been used by artists in pop music (e. Nelly Furtado) and alternative rock (e. Scratching is also popular in various electronic music styles, such as hard- groove techno. Download free computer dj mixing software. License. Free. Language. English. Platformwindows. Become a virtual DJ with this MP3 mixingsoftware ..
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